Critic’s Notebook: Why is the Petersen Museum ignoring Von Dutch’s racist past?

Critic’s Notebook: Why is the Petersen Museum ignoring Von

Oct 10, 2018 · For good and ill, given his unabashed talent and influence, he belongs at the show’s entry. But rather than whitewash Von Dutch, the museum’s obligation is to wrestle with the truth.

Los Angeles Times on Twitter: «Critic’s Notebook: Why is

If that’s the case, then why have Ford in there? Henry Ford was anti-Semitic. Humans have flaws.

Los Angeles Times on Twitter: «Critic’s Notebook: Why is

Oct 10, 2018 · The former White nations and Japan are the first world. The Black nations are the third world. In the middle are the Arabs and others. It is just as racialists would predict.

Critic’s Notebook: Why is the Petersen Museum ignoring Von

BING NEWS: Critic’s Notebook: Why is the Petersen Museum ignoring Von Dutch’s racist past? If an art museum today were to open a group exhibition that featured, without comment, the work of an avowedly racist and anti-Semitic contemporary artist, all hell would break loose.

Critic’s Notebook: Why is the Petersen Museum ignoring Von

The museum’s wall texts are simple and no longer accusatory. Just the details, ma’am: State Sen. Russell Sturgis had a booming industry buying and selling flour, horses and human beings in the Dominican Republic, whilst pretty Lucretia Chandler Murray, daughter of the native sheriff, led a lifetime of recreational abetted through the unpaid hard work […]

Critic’s Notebook: Why is the Petersen Museum ignoring Von

Critic’s Notebook: Why is the Petersen Museum ignoring Von Dutch’s racist past? 10-10-2018 Los Angeles LA Times 15 If an art museum today were to open a group exhibition that featured, without comment, the work of an avowedly racist and anti-Semitic contemporary artist, all hell would break loose.

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Critic’s Notebook: Why is the Petersen Museum ignoring Von Dutch’s racist past? – Los Angeles Times. Los Angeles Times – By Christopher Knight and Art Critic. If an art museum today were to open a group exhibition that featured, without comment, the work of an avowedly racist and anti-Semitic contemporary artist, all hell would break loose.

The 2018 midterms would be the most costly in historical

The 2018 midterms are in just 3 days, and they are shaping as much as be the most costly in historical past. The Center of Responsive Politics, which tracks campaign spending, tasks a grand general of $5.2 billion will likely be spent in this year’s elections.

Christopher Knight – Los Angeles Times

Nov 16, 2018 · Christopher Knight is art critic for the Los Angeles Times. He is a three-time finalist for the Pulitzer Prize in criticism (1991, 2001 and 2007).

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Von Dutch was a self-described racist and neo-Nazi artist. Why is the Petersen Museum whitewashing him? Museum mom shared Altadena Library District ‘s event .

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Critic’s Notebook: Why is the Petersen Museum ignoring Von Dutch’s racist past? – Los Angeles Times Von Dutch was a self-described racist and neo-Nazi artist.

5/5(3)

Articles by Christopher Knight | Los Angeles Times

Critic’s Notebook: Why is the Petersen Museum ignoring Von Dutch’s racist past? By Christopher Knight latimes.com — The museum’s wall texts are straightforward and not accusatory.

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Critic`s Notebook: Why is the Petersen Museum ignoring Von Dutch´s racist past? (LA Times NBA) 10 october 2018 21:43:30 : Critic`s Notebook: Why is the Petersen Museum ignoring Von Dutch´s racist past?

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Review: The ghosts of Mexico’s missing women animate Judithe Hernández’s brooding debut at the Museum of Latin American Art. Judithe Hernandez is the first Chicana artist to have a solo exhibition in the 22-year history of the Museum of Latin American Art in Long Beach.